Joy Lawn

Joy Lawn is an arts critic living on the traditional lands of the Darug, Guringai and Darkinjung Peoples in NSW. Her writing has appeared in newspapers, journals and magazines. She loves moderating at writers’ festivals, enjoys many forms of art and culture and blogs about books at Paperbark Words.

Joy Lawn's Latest Articles

In an elaborate drawing room, three men and one woman have their arms up and mouths open in suprise. One man is lying on a chaise longue
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Theatre review: The Play That Goes Wrong, Drama Theatre, Sydney Opera House

On its 10th anniversary this play is as silly and entertaining as it was a decade ago.

Two older woman sitting at a table.
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Theatre review: The Spare Room, Belvoir St Theatre

Based on the Helen Garner book, this play is a study of terminal illness from the point of view of…

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Exhibition review: Cerith Wyn Evans .... in light of the visible, Museum of Contemporary Art

A large-scale immersive light and sound exhibition.

Two panels. On left is black and white photo of a woman with long dark hair. On the right is cover of a book, 'In the Name of the Sister" with an illustration of an orange ibis.
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Book review: The Name of the Sister, Gail Jones

Gail Jones' latest novel is a mesh of literary and crime genres.

Two panels. On the left is a blonde woman wearing black. On the right is the cover of ther book 'Always Home, Always Homesick.' It features mountain ranges in shades of mauve.
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Book review: Always Home, Always Homesick, Hannah Kent

Hannah Kent's first non-fiction book retreads the grounds of her Iceland-set bestseller, 'Burial Rites.'

A man and a woman are standing and staring at each other over a kitchen table; a vase of flowers and a pair of bongo drums sit on the table. The wallpaper behind them is colourful and graphic.
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Theatre review: The Lover and The Dumb Waiter, Ensemble Theatre

A double dose of classic Pinter plays.

Two panels. On the left is a woman with short brown hair wearing a yellow jumper and glasses. She is staying against a bookshelf. On the right is the cover of a book 'How to Survive 1985' that features an illustration of two teenage girls.
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Book review: How to Survive 1985, Tegan Bennett Daylight

A novel that compares and contrasts the 1980s and the 2020s through the eyes of teens.

Three women are laughing and sitting together on a bed.
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Theatre review: Big Girls Don't Cry, Belvoir St Theatre

1960s Redfern as seen through the perspectives of a group of Aboriginal women.

A scene from the 2025 STC production 'Bloom' at the Roslyn Packer Theatre.
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Musical review: Bloom, Roslyn Packer Theatre

A comedic musical theatre production by Tom Gleisner and Katie Weston, set in a nursing home and featuring cross-generational friendships.

A scene from Ensemble Theatre’s 2025 production of 'The Glass Menagerie'. A young man stands with his back to the camera, arms upraised; his shadow falls dramatically on the wall behind him. A slender, waiflike young woman, her face turned away from the camera, stares at his dramatically lit shadow.
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Theatre review: The Glass Menagerie, Ensemble Theatre

Tennessee Williams’ memory play is transcendently directed and features seamless performances that enhance the production’s dramatic tension.

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