Gina Fairley
Gina Fairley's Latest Articles
Exhibition review: Blanche Tilden, Ripple Effect
This exhibition reinstates jewellery as a living artform, riding out a dance between the hand-made and the machine-made.
Desert Mob to move to Desart management
With a view for greater independence and flexibility, Araluen Art Centre’s signature exhibition will be handed over to the First…
Exit interview: Gallerist Brenda May
After nearly 40-years in the gallery biz, across five different iterations and spaces, Sydney gallerist Brenda May calls it a…
The arts news you may have missed
What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…
Pandemic pushback by programming bold and big
Chatswood Culture Bites is a new festival-come-season that has programmed over 300 artists to help audiences re-emerge with vigour.
Did the Biennale of Sydney 2022 deliver?
A biennale that breaks the model and questions its viable future.
Exhibition Review: Isaac Julien and Helen Fuller, Samstag Museum of Art
A local ceramicist in tandem with an international UK video installation artist in standalone exhibitions.
27 things I learned starting a new art business
How to turn old learnings from portfolio careers into new gains, when starting a studio-based business.
The arts news you may have missed
What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…
Opera Review: La Juive, Opera Australia
There are few entry points for new audiences to this opera, which is unfortunately bleak for our times.