Gina Fairley
Gina Fairley's Latest Articles
Triennial: a case for less is better in a complex world
Curator Hetti Perkins renews and extends our perceptions of Ceremony in her fourth Indigenous Triennial.
Opera review: The Phantom of the Opera
Delivering steroid-size spectacular wow and performances to match, this year's Handa Opera on the Harbour hits the highs.
The arts news you may have missed
What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…
How to grow a small to medium arts organisation
Artspace proves that taking the longer road pays off, literally, when growing a small arts organisation.
Exhibition review: Blanche Tilden, Ripple Effect
This exhibition reinstates jewellery as a living artform, riding out a dance between the hand-made and the machine-made.
Desert Mob to move to Desart management
With a view for greater independence and flexibility, Araluen Art Centre’s signature exhibition will be handed over to the First…
Exit interview: Gallerist Brenda May
After nearly 40-years in the gallery biz, across five different iterations and spaces, Sydney gallerist Brenda May calls it a…
The arts news you may have missed
What's on, what's in the headlines, and the latest program releases – to put you ahead of the game this…
Pandemic pushback by programming bold and big
Chatswood Culture Bites is a new festival-come-season that has programmed over 300 artists to help audiences re-emerge with vigour.
Did the Biennale of Sydney 2022 deliver?
A biennale that breaks the model and questions its viable future.