Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

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You could be the next Kaldor Art Project

To celebrate 45-years, John Kaldor turns his focus towards Australian artists with a call to imagine a project of their…

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Capon takes the Chair at 4A

The Board of 4A has announced the appointment of its incoming Chairman.

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Transfield severs ties with Biennale

The Chair of the Biennale of Sydney has resigned following boycotts over Transfield's management of detention centres.

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Zinesters join Biennale artists in boycott

In protest to Transfield’s support of the MCA, a group of Sydney zine makers are boycotting their annual Zine Fair.

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Books take on new life as art

As technology threatens the printed page, the Geelong Art Gallery has found artists turning books into art objects.

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Tackling the big questions of Australian art

Sasha Grishin tackles the epic subject of Australian Art and brings his unique perspective as one of our leading art…

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Major commission unveiled by AGNSW

Nike Savvas’ kinetic installation is the largest artwork ever to be exhibited at the AGNSW.

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Mining company is a lifesaver for Sculpture by the Sea

On the eve of its tenth anniversary edition, Sculpture by the Sea Cottesloe gets a hand up from WA mining…

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Women who make a difference

ArtsHub celebrates International Women’s Day by taking a look at artists who have shaped the direction of contemporary art.

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dLux partners with Black Box to present media arts

Three new exhibitions drawn from dLux’s Scanlines archive, a remix on digital media’s pulse – past and current.

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