Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

Features

White cubes turning yellow

The central spaces of galleries and studios are losing their dominance as 21st Century artists move from a physical footprint…

News

Sculpture by the Sea

Sculpture by the Sea drew strong crowds on its first weekend, most unaware of the events slim brush with financial…

News

Breakthrough on artists' fees with local blockbuster

A major show of local artists offers big bucks for the arts economy, with the uptake of recommended artists' fees…

News

Sir Anthony Caro dies aged 89

British sculptor Antony Caro influenced a generation of sculptors internationally. He will be remembered well.

News

Borgelt: It just keeps getting better

Marion Borgelt’s exhibition at Dominik Mersch’s new Sydney gallery is the talk of the town – and deservedly so.

News

Newcastle gains iconic public sculpture by Whiteley

Whiteley gifted to Newcastle Art Gallery at Walsh Bay’s loss.

News

Unbuilt projects given life at Venice Architecture Biennale

Australian architecture takes centre stage at Venice, as 21 unbuilt gems are realised against the backdrop of our new pavilion.

News

QAGOMA is Californian Dreaming over summer

The best of Californian Design from the 1930s-60s comes to Brisbane from the LA Country Museum of Art.

News

A ruby-encrusted fawn wins sculpture prize

Julia DeVille takes the 2013 Woollahra Small Sculpture Prize with her taxidermy fawn.

News

Death and hot summers nab the 2013 Moran Prizes

One of Australia's riches prizes was announced this week, moving from dark laments to ethereal self-portraits and acts of defiance

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