Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

News

Museums Australia Conference – Connecting at the Edge

Launceston is host to this year’s professional networking gig, with a particular focus on looking beyond the Museum.

News

Patterns are an psychedelic-trip for kids

Jemima Wyman is stamping a new print on patterns with her interactive kids installation at QAGOMA in time for school…

Features

Who will be the NGA’s next director?

With the retirement of Ron Radford from the NGA, one of the top visual arts jobs in the country is…

News

Redlands Prize pulls no surprises

Curated by Tim Johnson, this year's Prize was an overwhelming consensus and celebrates the cultural diversity of our artists.

News

VIDEO: Space-like structure lands at SCAF

ArtsHub speaks with the architects responsible for the latest Fugitive Structure at the Sherman Foundation’s Sydney space.

News

That ain’t fashion – that’s art!

This week as Fashion Week drills down on Sydney, Rebecca Baumann is the next artist to embrace this global art…

News

From flea market finds to Hong Kong highs and art bailouts

We bring you what’s happened this week on the global art market.

News

Embers of Empathy

Twelve Australian artists turn to charcoal from last year’s bushfires to create emotive works that build a future.

News

Art Month Sydney finds new highs from history of lows

With record attendance and sold out events, Sydney’s art scene appears to have turned around since this event’s GFC birth.

Opinions & Analysis

Is the NGA’s head in the past?

The National Gallery's Shiva has all the attention but the Gallery's problem with the past may also be about programming.

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