Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

Features

Etsy or regretsy?

E-commerce is an attractive option to artists but there are also risks attached to hitching a fine art career to…

News

SafARi: Biennale's unofficial fringe

An independent, emerging and underground arts festival offers an alternative voice to the Biennale of Sydney by piggy-backing on its…

Features

Adelaide gets a new private museum

Who was David Roche, and why do we know so little of his world-class collection until now? His private museum…

News

Can one artist own the rights to black?

Artist Anish Kapoor has been granted the exclusive rights to the "blackest" of black paint-like surface, while an exhibition by…

Features

Do you believe in magic?

The 2016 Adelaide Biennial will convert the most cynical non-believer that object-based materiality commands the museum and contemporary curatorial concerns.

Features

Are our art magazines in a state of crisis?

Is it funding cuts, distribution networks or the swell of online journals that is affecting art magazine sales, or have…

News

Top picks for Art Month Sydney

Topple the green eye monster or hijack an art bus and flirt with the edges - the possibilities are endless…

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Katthy Cavaliere: Loved

Using objects as a flotilla for love and loss, this retrospective explores a superb career cut short.

News

Scientists now curating Mona

David Walsh hopes to prove that art has an evolution based in biology in a new Mona exhibition On the…

Features

Why we persist with landscape exhibitions

A suite of current – and contrasting – exhibitions play with nostalgic visions and future ponderings of what landscape might…

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