Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

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Review: Idols - Ramesh Nithiyendran and Renee So, Fremantle Arts Centre

True to the adage that opposites attract, the vast stylistic differences of these two artists make for an uncanny yet…

News

Asad Raza announced for new Kaldor Public Art Project

In its 50th anniversary year, Kaldor Public Art Projects turns to an artist who constructs scenarios between visitors and participants…

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Review: The Great Tamer, Perth Festival

A riveting piece of theatre that collapses mediums, genres, histories and logic allowing us to dwell, momentarily, in that place…

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Review: Alchemic by Cassils, PICA

Two exhibitions at PICA give viewers the opportunity to confront, and to change, societal perceptions of complicit violence, making them…

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Review: A Family Outing – 20 Years On, Perth Festival

Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother…

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Review: Love, Displaced, Lawrence Wilson Art Gallery, Perth

Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture,…

Features

How legislation has given AGNSW the blockbuster edge

Protection against seizure and restitution has enabled some of China's most important objects, once housed in the Imperial Palace and…

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Review: David Goldblatt: Photographs 1948-2018, MCA

This important piece of South African history teaches global lessons in humanity, tolerance and environmental respect. It’s an exhibition for…

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Review: Bodies of art: Human form from the National Collection, NGA

NGA Director Nick Mitzevich’s maiden exhibition traverses gender, genre and history when it comes to describing the body by putting…

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Review: Borrowed Scenery, Campbelltown Arts Centre

A regional gallery rethinks its collecting future by commissioning a gender audit, and dives deep into timely narratives about its…

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