Ellie Fisher

Ellie Fisher is a writer. Her creative work has appeared in Westerly Magazine, Swim Meet Lit Mag, Devotion Zine, and Pulch Mag, amongst others. Ellie is a PhD candidate in Creative Writing at the University of Western Australia. She splits her time between Kinjarling and Boorloo.

Ellie Fisher's Latest Articles

Psykhe. Author shot on left is of a middle aged Caucasian woman with long dark hair sitting with an open book and two candles behind her. She has a patterned black dress on and is smiling broadly. Close to the camera, obscuring the sitter, and out of focus is some white flora of some kind. On the right is a black book cover with flowers in the middle.
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Book review: Psykhe, Kate Forsyth

A new telling of the classic myth focuses on the power and agency of Psykhe.

Safe Haven. On the right is an author headshot, waist up of a woman of Indian appearance, all in black with arms folded, smiling and looking off the right. On the left is a book jacket in blue, with an illustration of a boat on the sea at night on the front.
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Book review: Safe Haven, Shankari Chandran

The Miles Franklin Award-winning author's new book tackles the politics of Australian detention centres.

Ordinary Human Love. On the left is a colour headshot of a white woman in her 30s/40s, with wavy dark shoulder length hair, parted in the middle and a V neck black top. The book cover on the right has a pinky/orange background and two lilac coloured statues with arms outstretched, one below the other reaching up as if they are about to kiss.
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Book review: Ordinary Human Love, Melissa Goode

A debut novel that surveys intimate relationships and the nature of desire.

Cool Water. On the left is a head shot of a woman with red lipstick and short dark hair, she is looking slightly defensively at the camera. On the right is a blue book cover of a fish in a jar and the title in yellow.
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Book review: Cool Water, Myfanwy Jones

Fathers and sons and how damage can be inherited.

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Book review: Kind of, Sort of, Maybe, But Probably Not, Imbi Neeme

A quirky novel that explores – among other things – the condition of misophonia.

Tilda is Visible. On the left is an author image from the torso up of a Caucasian women with shoulder length centre parted strawberry blonde hair and red lipstick. She is wearing a white T shirt and smiling at the camera. On the right is a book cover with the title of the book in large yellow letters on pink and yellow background, slashed diagonally and a line drawing of a woman holding a camera.
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Book review: Tilda is Visible, Jane Tara

A novel about sisterhood and ageism that is poignant, surreal and empathetic.

Raw Salt. Image is a young woman with long dark wavy hair on the left standing in front of external foliage, body turned slight to her right, wearing black polo neck jumper under black and white patterned sleeveless dress. She has dark red lipstick and a slight smile. On the right is a book cover of close-up of a public phone push button pad, above the book's title in a grey stripe at the bottom.
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Book review: Raw Salt, Izzy Roberts-Orr

This debut poetry collection canvasses death and the environment, mourning and memory.

If there is a butterfly that drinks tears. on the left is an author's shot of a woman with short brown hair dressed in black and holding her arm in front of her. There is a blue and green backdrop. On the right is a book cover with an abstract pale image of a vertical line and large grey dot.
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Book review: If There Is a Butterfly That Drinks Tears, Natalie Damjanovich-Napoleon

A poetry collection that meditates on the complexities of motherhood.

Sydney Review of Books. Image is an author shot on the left, a woman with very short dark hair outside leaning on a white fence, and on the right a green book cover filled with authors' names.
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Book review: Critic Swallows Book: Ten Years of the Sydney Review of Books, edited by Catriona Menzies-Pike

A selection of essays that bear witness to a diverse history of literary criticism in Australia.

Animal Magic. Image on left is a magazine cover with a line of washing arranged to look like a camel. On the right is an author image of a woman in a bright green dress with red hair and glasses, leaning her chin on her fist.
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Magazine review: Griffith Review 82: Animal Magic, edited by Carody Culver

The latest edition of 'Griffith Review' considers the theme of relationships – both tender and tense – between animals and…

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