Dennis Clements

Dennis Clements is a NIDA Acting graduate and has a BA focused on Literature, Theatre and Journalism. He won the Theatre prize in his graduation year from Curtin University in WA. He has extensive leading role performance credits in both professional and community based companies, and has directed numerous productions for Bankstown Theatre Company and Ashfield Musical society. He is a registered Marriage Celebrant if you want to get hitched, and has also reviewed for Australian Stage online theatre magazine for several years.

Dennis Clements's Latest Articles

The Master and Margarita. Image is a group of five actors sitting, crouching or standing on stage in front of a huge lit W sign.
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Theatre review: The Master and Margarita, Belvoir St Theatre

Adapted from Bulgakov's classic novel, this stage version is compelling whether or not you're familiar with the original book.

The Lost Boys. Image is a line of people on stage the diagonal, with their sides/backs to us looking off to the left.
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Performance review: The Lost Boys, Seymour Centre

An immersive landscape inspired by J M Barrie's Neverland where the audience is invited to be a part of The…

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Musical review: The Marvellous Elephant Man – The Musical

An overhyped production that sadly does not live up to expectations.

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Musical review: Sweeney Todd, Sydney Opera House

The latest iteration of this musical theatre thriller will appeal to Sondheim fans, old and new.

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Music review: Meteor Orbit, Riverside Theatres

A musical event designed to coincide with the annual Perseid meteor shower.

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Opera review: Rigoletto, Sydney Opera House

Go see it for the music, not the reprehensible, misogynistic storyline.

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Musical review: Tina – The Tina Turner Musical, Theatre Royal

Ruva Ngwenya is so outstanding in this new jukebox musical that you'd swear you were seeing the real Tina Turner…

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Musical review: La Cage Aux Folles, State Theatre

Pretty and energetic, but dated.

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Performance review: KING, Sydney WorldPride

A music-dance collaboration that explores gender identity and sexuality.

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Performance review: L’Hôtel

Luxuriate in this decadent immersive world of cabaret, circus and burlesque.

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