Celina Lei

Celina Lei is ArtsHub's Content Manager. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Celina is based in Naarm/Melbourne. Instagram @lleizy_

Celina Lei's Latest Articles

ANZ’s Gothic Chamber transformed into a 21st Century Banking Museum, part of Open House Melbourne. Photo: Supplied. A gothic interior with people casually lounging.
News

Doors open to Melbourne’s (hidden) architectural gems

From the heritage-listed to private residences, Open House Melbourne offers exclusive access to hidden stories of the built environment.

‘Joke Taxonomy’, installation view at 138 Gallery. Photo: Supplied. A brown wooden panelled gallery space with readymade objects including a pair of pink Dino chairs, a litter box, and a small trophy.
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Exhibition review: Joke Taxonomy, 138 Gallery

Here, humour comes easily but the provocation lingers.

Noel McKenna, ‘William Nuttall with horses in field’, 2023 (detail). Image: Supplied. Painting with soft blues and greens depicting a serene landscape of a couple of horses with one human figure petting the head of a horse.
News

Opportunities and awards

Call for artworks from refugee artists, plus winners at National Portrait Gallery, recipients of the Regional Arts Fund and more!

Experience ‘Sunrise Journeys’ at Ayers Rock Resort, Uluṟu. Photo: Supplied. First break of dawn with Uluṟu in the background among the desert environment.
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A sunrise like no other – wonders of Country shared through Indigenous agency

Aṉangu artists share their deep connection to Country in a bespoke sunrise experience designed to captivate and entrance in Uluṟu.

Festival of Dangerous Ideas return to Carriageworks. Photo: Courtesy of FODI. A chaotic stage with a person wearing an earth globe on its head and the signs ‘it doesn’t have to be THE END’.
News

Can a festival provoke for all the best reasons?

At the Festival of Dangerous Ideas, nothing seems to be off the table – from a meditation on genocide to…

Selma Coultard and Mervyn Rubuntja at the Desert Mob Symposium 2023. Photo: Rhett Hammerton. A dark-skinned Aboriginal man with a short grey beard gestures with his left hand while holding a microphone in his right hand, into which he is speaking. He wears a brown hat, brown jacket and tan-coloured slacks. A brown-skinned Aboriginal woman wearing glasses, with her hair hair held back by a headscarf, sits to his right, but she is not the main focus of the photograph. The two sit beneath a screen, suggesting they are speaking on stage together.
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Culture keeps the fire burning at Desert Mob

Desert Mob ignites Mparntwe/Alice Springs with First Nations pride and supports ethical purchasing of artworks alongside diverse programming.

Miles Astray, 'FLAMINGONE', 2024, entered into the 1839 Awards AI category and subsequently disqualified. Photo: Courtesy of the artist. The pink body of a flamingo with this head hidden, standing on a white sandy beach.
News

Human artist beats AI, but it's coming back with a vengeance

While a non-AI image has taken out a win at an AI awards program, news of Meta scraping social posts…

Why is a Holden Torana next to a Henry Ottmann? Image: 'Namedropping' installation view at Mona. Photo: Mona/Jesse Hunniford. A car and a painting sit in juxtaposition across two starkly different exhibition spaces.
Features

Mona's big flex – how David Walsh wrote himself into the books

'Namedropping' is an all-consuming exhibition about questioning status, but by doing so, Mona owner David Walsh has cunningly bolstered his…

Inside Out 2. Image: Disney. Anxiety greets core emotions, Joy, Anger, Fear, Disgust and Sadness in headquarters.
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Film review: Inside Out 2

With fast pacing, great visuals and enough emotional depth, 'Inside Out 2' delivers on more than one front.

‘Constellations’ by Joanie Lemercier to feature at Now or Never 2024. Photo: Supplied. A large projected vortex glows above the water at night. Two people are standing close to the artwork.
News

After a solid debut, Now or Never reveals 2024 program

Promising highlights include the homecoming of Marco Fusinato’s monstrous Venice Biennale work and a four-night music line-up at the Royal…

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