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Review: Storm Boy, Southbank Theatre (VIC)

Colin Thiele’s 1964 novel comes to the stage in this mesmerising MTC and Queensland Theatre co-production.

News

ICYMI: A wrap of the week's arts news

Sotheby's sold, a new museum, kids theatre centre stage for 2020, festivals unveiling their programs, and a significant diversity survey…

Opinions & Analysis

Cuts sting cartoonists but new audiences are online

By axing daily political cartoons, The New York Times won't kill off cartooning. There is a healthy practice for cartoonists…

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Review: When the Light Leaves, La Mama Courthouse (VIC)

Rory Godbold’s play illustrates the anguish of waiting to die.

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Review: Dvorak’s Symphony No 6, Sydney Opera House

An exhilarating, muscular performance.

News

Applause: Latest awards and celebrations

Matt Tarrant Emerging Performers Grant recipient named, Bong Joon-ho takes out prestigious Sydney Film Prize, John Oxley Library Fellowship announced,…

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Review: Only the Penitent Shall Pass, Rosny Farm (TAS)

Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.

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Review: Almost, Maine, Meat Market Stables (VIC)

A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.

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Review: The Return of Ulysses, Pinchgut Opera (NSW)

Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.

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Review: Doppelgangster's Cold War, Prague Fringe Festival

It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.

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