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Is Hong Kong the next game changer in the global art scene?

‘It has been exhilarating to watch at close quarters the accelerated story of Hong Kong’s emergence as a global art…

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Price first, design later - how the arts can learn from IKEA

Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the…

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Mona Foma confirms Launceston relocation

The Tasmanian government has committed $1.75 million to the relocation of Mona Foma (MoFo) to Launceston for each of next…

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Spencer Tunick on lending his signature aesthetic to global activism

ArtsHub speaks to New York-based photographer and installation artist Spencer Tunick about global activism and what it's like to direct…

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On the move: the latest appointments and resignations

New Curator for UQ, new Chair for Experimenta, CEO to leave Australian Booksellers Association, Exec Director leaves WA arts chamber…

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NGA acquires immersive Kusama installation

The people-pleasing dot installations of Japanese artists Yayoi Yusama are sure to drive crowds to Canberra, thanks to a major…

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How arts organisations are combating sexual harassment in the workplace

New initiatives and better resources are becoming available in the effort to create safer workplaces in the arts. Here’s what…

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Review: Dark Mofo 2018

Hobart’s renowned winter festival encourages punters to take risks, and rewards visitors with fascinating arts experiences.

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Brook Andrew named as Biennale of Sydney’s next Artistic Director

ArtsHub sat down with Brook Andrew on the eve of his Biennale appointment, and discovered what he meant when he…

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Post-truth bullshit at Creative State Summit

A panel of artists and storytellers interrogate the slipperiness of post-truth at the Creative State Summit.

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