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NGV Triennial 2023 reveals Magic, Matter and Memory

The artist line-up of NGV Triennial 2023 has been unveiled, featuring tech-explorations, notable senior women artists and topics to be…

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Opportunities and awards

Australian Women in Music Awards nominations open, opportunities at APAX 2023 Market plus winners of Dobell Drawing Prize #23, and…

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Exhibition review: Rebecca Ross, Outer Space

Greater Sunrise highlights the dark aspects of Australian geopolitics.

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An Italian artistic journey rooted in Mildura

Mildura Arts Centre showcases the 35-year creative journey of Mildura-born, Rome-based painter and educator, Andrea J Smith.

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Voices of resistance: Iranian artists using art to amplify calls for freedom

As protests for women’s freedom in Iran enter the seventh month, Iranian artists around the world continue to support the…

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Curatorial takeover positions 'gathering' at its heart

Arts House’s new Equity-Builder will see guest curators demand new modes of engagement to translate the impact of programming into…

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Rethinking performance, exhibition and documentation through dance

From dance experimentations in the 70s to more recent performance-exhibitions, what does it mean to look at dance in a…

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Exhibition review: fantastic forms, Bundanon

Bundanon celebrates its 30th anniversary by pairing the work of artist Merric Boyd with three contemporaries to rethink notions of…

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Dark Mofo 2023 program revealed

Dark Mofo 2023 returns to Nipaluna/Hobart this June, bringing new programs and crowd favourites.

URanIamWeAreAFAILINGLAND, 2008, synthetic polymer on canvas, by Blak Douglas.
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As Australia’s nuclear sub fate is sealed, memories of Maralinga resurface in art

The Australian art canon has a lot to say on the prominent themes currently making headlines.

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