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Me and my mentor: Britt Salt and Hannah Gartside

Visual artists Britt Salt and Hannah Gartside are both interested in real bodies moving through their installations. They were paired…

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Exhibition review: The Huxleys: DisGraceland, Abbotsford Convent

Love, expression, freedom and glam in The Huxleysā€™ latest exhibition ā€˜DisGracelandā€™, commissioned by Vogue Australia.

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Exhibition review: ngaratya, Bunjil Place Gallery

A lyrical and beautiful exhibition that reminds us to step lightly on Country.

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Event review: MIFF XR, Melbourne

Is the physical body at stake in VR?

Features

Artists highlight the heightening issue of homelessness among women

Artists bring home the plight of older Australian women amid the housing crisis.

contemporary artwork in venue carriageworks
Opinions & Analysis

Is the myth of 'sameness' unwarranted across the emerging artist landscape?

When it comes to the emerging artist landscape in Australia, how accurate is a perception of "sameness" or are we…

Performance video projected onto a red brick wall at the side of the street with shops. A performer in an otherworldly silver and fluid costume moving and interacting around a highly and vividly decorated rotating clothes line, filled with vibrant fabrics in a suburban Australian home, with a green garden and wooden fence at the dusk of sunset.
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Event review: Gertrude Street Projection Festival, Melbourne

Bringing contemporary projection works to fresh eyes.

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Exhibition review: I am the People, White Rabbit Gallery

An edgy and creative exhibition hang leads viewers on a journey of considering contemporary Chinese identity.

New Mineral Collective - Pleasure Prospects. Photo courtesy of the artists
Features

Highlighting the crucial role the oceans play in our belonging

How the UQ Arts Museum is helping us to appreciate the issues surrounding the health and sustainability of our oceans.

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Exhibition review: Daniel Mudie Cunningham, Wollongong Art Gallery

Daniel Mudie Cunningham's survey exhibition is a lesson in celebrating becoming.

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