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production of 'Macbeth', which opens the company's 2025 season. Three older women, playing witches, pose in front of a smoky and dramatically lit background.
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La Boite Theatre celebrates 100 years of Queensland stories in 2025

For its centenary season, La Boite Theatre has programmed four mainstage productions and a 10-part play-reading series celebrating past productions.

Elliot Wood dressed in a shimmery purple blue lizard costume, with a jacket over it. He is squatting in front of a globe and drinking from a straw.
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Theatre review: Lizard People, Meat Market Stables

Are humans really lizards in disguise?

A young man is framed in a rectangle. He's surrounded by six people in the background. There's some sort of electronic-looking overlay that covers them.
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Musical review: Dear Evan Hansen, Roslyn Packer Theatre

The thought-provoking Broadway musical makes it premiere in Australia.

Two men, look across at each other on the set of 'Werewolf'. One in a suit, one in casual street gear. The steps the are standing are full of graffiti and rubbish.
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Theatre review: Werewolf, Arts Centre Melbourne

A clash of ideologies brings forth monstrous results.

Performances & Gigs

Seymour Centre

The Inheritance: Part One and Part Two

Tony and Olivier Award Winning The Inheritance makes its Epic Seven-Hour Sydney Premiere at the Seymour Centre

A black and white photo of magician, Lachlan Wilde. There is smoke covering his face.
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Magic review: Mysterons, The MC Showroom

A blend of storytelling and magic.

A dark-haired woman is holding up a book with a black cover. Behind her are black and white images of crime scenes and information.
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Theatre review: He Had It Coming, The Provincial Hotel

Infamous murderesses and attackers tell their stories, leaving the audience to judge whether they were justified.

In a production of 'Years Years Bears', two women in colourful headscarves and sunglasses. One is standing behind the other and placing her hand over the other woman's mouth.
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Theatre review: Years Years Bears, Trades Hall

A promising mystery story still finding its feet.

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Theatre review: Why Not Believe in Everything?, Club Voltaire

Laura Fisher’s first play is poetic, vibrant and very funny. 

A performer on stage who is of Asian descent with a female-appearing body, wearing a nude slip. The performer is sitting on the side, holding a cup on top of the coffee machine and balancing a book on their head.
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Performance review: Girl's Notes, Melbourne Recital Centre

A performance that took inspiration from a book on how women should behave.

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