Theatre
Performance review: Elvis: A Musical Revolution, Athenaeum Theatre
With two rock and pop musicals opening in Melbourne on the same night, a show about the King manages to…
Performance review: Tender, the Vault, Sydney Fringe Festival
This circus cabaret hybrid explores a disassembling of gender constructs in its fluid meld of bodies.
Shining a spotlight on South Asian Australian theatre
Why you should care about South Asian Australian theatre companies and their futures.
Patrick Gunasekera and Georgi Ivers: two artists and their journeys in crip time
Care can come in the form of time, patience, flexibility and community engagement in a world that still poses so…
Performance reviews: Best of the Fest and Me, My Cult & I, Sydney Fringe Festival
These performances remind us that independent art can be charming, but not always perfect.
A multi-hatted educator, actor and director takes on his next challenge
TAFE SA's Adelaide College of the Arts students have access to both industry-standard theatre spaces and renowned professional contacts with…
A beginners' guide to posthuman theatre
Ever heard of posthuman theatre? It may surprise you to realise it's profoundly human in form.
Theatre review: Shadow Boxing, Emerging Artists’ Sharehouse, Sydney Fringe
A raw and vivid production exploring the crossover between masculinity, sexuality, violence and identity.
Musical review: The Little Mermaid, Mandurah Performing Arts Centre, WA
Better than Broadway, this production was perfectly cast, exquisitely choreographed and aesthetically executed.
Dance Review: Strictly Gershwin, QPAC
A welcome return tribute offers a sparkling production and splendid dancing from Queensland Ballet.