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Theatre review: Siarad, Goodwood Theatre and Studios

A one-woman spoken word performance with personal reflections and incisive cultural commentary.

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Theatre review: Unheimlich, PICA

What's hidden is just as important as what's revealed.

Features

Teaching music and performance during the pandemic

For students and teachers alike the struggle to adjust teaching and curriculum during lockdown has provided impetus to explore the…

Features

Does online performance have a post-pandemic future?

Artists, teachers and arts administrators reflect on the future of theatre and comedy online, including questions of access and engagement.

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Theatre review: Glengarry Glen Ross, Bakehouse Theatre

A finely staged tale of greed, desperation and corruption.

a child playing with coloured paper in the dark
Features

The power of play and how to bring it home

The playground may be closed with no free-roaming allowed, but small acts of play can still be achieved and are…

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Theatre review: Blood Will Have Blood, TheatreiNQ, Townsville

Shakespeare adapted with flair and majesty.

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Dance review: Weredingo, Brisbane Festival

Creationist stories through shapeshifting dance and poetry.

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Theatre review: Dirty Laundry, Brisbane Festival

The Brief Boys air their dirty laundry.

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Theatre review: Ishmael, Brisbane Festival

Despite clever technological effects, a reimagining of Moby Dick is a bold experiment that fails to ignite.

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