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The Inheritance

An epic queer examination of survival, healing, class divide, and what it means to call a place home.

A person with dark trousers, short hair and a towel around their neck is standing in the distance of a set made to look like an empty pool. There is a stepladder on the top right. Swim.
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Theatre review: Swim, Carriageworks

A trip to a public pool provokes deep, submerged reflections.

Performances & Gigs

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MZAZA: The Birth and Death of Stars

Riverside Theatres is thrilled to bring world music favourites MZAZA and their one-night performance of MZAZA: The Birth and Death…

A man on a dimly lit stage has his arms outstretched. His large shadow is projected behind him on the wall. An Imaginary Life.
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Theatre review: An Imaginary Life, Moores Building Art Space, Fremantle

An impressive adaptation of David Malouf's classic novella about Ovid.

Australia has many opportunities for playwrights. This photo is of a simple office desk, with a computer, open notepad, and tea cup.
Features

Exciting opportunities for playwrights

Hardly any theatre companies will accept unsolicited scripts. Most playwrights make their way through prizes and programs. We've gathered this…

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Theatre review: A Streetcar Named Desire, Playhouse, Arts Centre Melbourne

The MTC's take on Williams' 20th century classic impresses, but lacks genuine menace.

Two men are holding up paper puppets that are dressed in the same clothing as they are. Hare Brain.
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Theatre review: Hare Brain, Claremont Show Grounds, Perth

Inanimate objects came to life in this rendition of the hare and the tortoise tale.

A woman wearing a cardboard crown. She has a black top over a light blue skivvy. La Belle Epoque.
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Theatre review: La Belle Epoque, Theatre Works

A multimedia play that interweaves different art forms to tell the story of the Democratic Republic of Congo (DRC).

A woman wearing a fancy ruffly red dress and tiny matching hat is standing in front of a pop art sign that says 'Popera.' She has one arm stretched out.
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Performance review: Popera: Sex, Death & Politics, The Butterfly Club

Uma Dobia plays a feminist icon in 'Popera', ready to stamp out opera’s entrenched sexism in sparkly knee-high boots.

A man in shadow is crouched over in the centre of the room. Around him are four people, two standing on chairs. They are throwing bit of paper in the air. The lighting is awash in red and white spotlight. Elegies: A Song Cycle.
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Theatre review: Elegies: A Song Cycle, fortyfivedownstairs

A new production company makes its premiere with a slick and funnier than expected rendition of songs about losing loved…

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