Sculpture
Review: Brisbane Festival opening
An eclectic opening night event set the tone of inclusivity and diversity for Brisbane Festival’s 2023 program.
Multiform and dance review: Salamander, Brisbane Festival at Northshore
A multidisciplined dance work with astonishing visuals and powerful contemporary messages, 'Salamander' is a major contributor to this year’s Brisbane…
Exhibition review: Holding Pattern, Haus of Vovo
An exhibition that celebrates texture and pattern while strategically navigating the cultural connotations of textile works.
Me and my mentor: Britt Salt and Hannah Gartside
Visual artists Britt Salt and Hannah Gartside are both interested in real bodies moving through their installations. They were paired…
Why I studied ... Bachelor of Design (Interior Architecture) at QUT
During COVID, artist S-J Botham went back to study, finding a passion for design and its potential to create social…
Cambodian sculpture return is a win-win
Three Cambodian sculptures have been formally returned, and then loaned back to the National Gallery of Australia.
Exhibition review: Tom Moore, Abundant Wonder, Glenelg
With whimsical storytelling and tech wizardry, Tom Moore reinstates the sense of wonder in exhibition making.
Exhibition review: Ingrid Morley, Orange Regional Gallery
Bold elegant sculptures made from farm machinery talk about loss and renewal, in the hands of artist Ingrid Morley.
Complicating Vietnamese diaspora stories for the better
A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.
Exhibition review: Sea Monsters, WA Maritime Museum
Try to catch Sea Monsters before this exciting exhibition becomes extinct.