Performing Arts
Music review: Eric Prydz, HOLO, ALWAYS LIVE, Rod Laver Arena
The acclaimed Swedish DJ and producer created an enticing, electronic dystopia and unique spectacl
Circus review: ROUGE, Sydney Spiegeltent
Naughty and flamboyant circus.
Ballet review: Possum Magic The Ballet, Arts Centre Melbourne
Mem Fox's iconic picture book about the little marsupial who becomes invisible is transformed into dance.
Art: need and impact
The former Artistic Director of Polyglot Theatre shares her recent keynote to an alumni event at the Betty Amsden Foundation.
Blue Cow Theatre to take its final bow
Lacking secure government support, the Hobart-based Blue Cow has decided to bow out on its own terms.
RISING announces mass participatory project for its 2024 festival
The first event for next year’s winter festival RISING will see audiences become the artists in a major participatory experience.
Opera review: Aida, QPAC
Musically first-rate and impressively sung, Verdi’s 'Aida' rises above the idiosyncrasies of this 21st century production.Â
Equipping Asia Pacific arts leaders with critical skills
What can Asia Pacific arts leaders learn from each other regarding some of the most critical skills needed in the…
What’s in store for season 2024 in the performing arts (part four)
From state theatres and ballet companies to a brand new play by Patricia Cornelius, here are more potential highlights for…
Opportunities and awards
K11 Art Foundation launches international prize for emerging Asian artists, plus UNSW Book Idea of the Year winner, National Arts…