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Standing at a podium, his eyes closed in concentration, a bald-headed white man wearing a black suit and white shirt conducts an orchestra.
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Singapore Symphony Orchestra set for 2025 Australian debut

Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…

Richard Watts

Jun 25, 2024
A black and white photograph of three members of the Deaf Indigenous Dance Group, all of whom stand with their backs to the camera. The photo is focused on a central figure who wears a grass skirt and holds clapping stocks behind his back. A figure in shorts stands to his left, and another figure in a loincloth stands to his right.
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Deaf in dance: feeling the beat

‘Deaf in dance’, a free showcase featuring photos, artworks and stories from the Deaf Indigenous Dance Group (DIDG) is on…

Thuy On

Jun 25, 2024
The lighting is blue. On the left a woman dressed up in metallic silver with matching headgear and long sharp nails is looking at a man in a black cloak and a mask on the right.
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Performance review: When Night Comes, The Austral

A multisensory immersive experience that blends theatre and cocktails.

Kate Mulqueen

Jun 24, 2024
Selma Coultard and Mervyn Rubuntja at the Desert Mob Symposium 2023. Photo: Rhett Hammerton. A dark-skinned Aboriginal man with a short grey beard gestures with his left hand while holding a microphone in his right hand, into which he is speaking. He wears a brown hat, brown jacket and tan-coloured slacks. A brown-skinned Aboriginal woman wearing glasses, with her hair hair held back by a headscarf, sits to his right, but she is not the main focus of the photograph. The two sit beneath a screen, suggesting they are speaking on stage together.
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Culture keeps the fire burning at Desert Mob

Desert Mob ignites Mparntwe/Alice Springs with First Nations pride and supports ethical purchasing of artworks alongside diverse programming.

Celina Lei

Jun 24, 2024
The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

Kim Hitchcock

Jun 24, 2024
A woman is lying in a bathtub covered in bubbles. A man in a blue checkered shirt and t shirt sits nearby her and looks down at her.
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Theatre review: Cost of Living, Queensland Theatre

'Cost of Living' is a play for our times about the price we all pay to be human. 

Suzannah Conway

Jun 24, 2024
A man with a salt and pepper beard is standing to one side and looking into the distance. He is wearing a white tunic and a crown made of flowers and leaves.
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Theatre review: King Lear, Neilson Nutshell, Pier 2/3

Bell Shakespeare takes a minimalist approach to 'King Lear' in its first production of the play since 2010 – with…

Peter Hackney

Jun 24, 2024
A man with a pale shirt and a beard is standing against a bluey-purply background with the words 'So you want my arts job' against it.
Career Advice

So you want my arts job: Theatre Critic

Aside from the glamour of swanning around on opening nights among the glitterati, being a theatre critic necessitates a lot…

Thuy On

Jun 24, 2024
Julia Slater-Allan and Sam Corr in ‘Cutting Onions’. Photo: Supplied. A woman sitting on the countertop based in purple light in a domestic sitting, gesturing to a man wearing a black hoodie.
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Theatre review: Cutting Onions, The MC Showroom

A visual extravaganza about modern relationships.

Catherine C Turner

Jun 21, 2024
Natalie Gamsu. Photo: Marija Ivkovic. A person smiling brightly wearing a red top and black skirt, which she is holding in her hand.
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Theatre review: Shrapnel, fortyfivedownstairs

A production that celebrates Natalie Gamsu and invites the Jewish South African community to recall memories of their formative years.

Jenna Schroder

Jun 21, 2024
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