Performing Arts
Performance review: FAKE, The Rechabite
This interactive exploration of our online 'realities' and our true selves proves a stirring journey.
No Lights No Lycra
No Lights No Lycra
No Lights No Lycra is a weekly lights-off chance to dance in the dark for the pure joy of dancing.…
Deaf Indigenous Dance Group celebrates 27-year history at State Library
The Far North Queensland Deaf Indigenous Dance Group empowers d/Deaf First Nations artists through Culture and dance.
Performance review: Charles Maimarosia, Melbourne Recital Centre
Charles Maimaosia's intimate performance was spellbinding, soulful and energetic.
Opportunities and awards
Grants up to $50,000 for First Nations creatives, plus winners of NSW Premier's Literary Awards, finalists of 2024 NATSIAA, and…
Do 'pay what you can' schemes boost ticket sales?
In these economically tough times, is now the right moment for more arts companies to try new ticketing models to…
Remounting a Stolen Generations story told through dance
Remounting ‘The Other Side of Me’ has allowed NT choreographer Gary Lang to enrich its beauty and potency, he explains.
Music review: Symphony Fantastic, QPAC
Love, lust and madness in an all-French program of delightful music with added extras. Â
Theatre review: The Word, Abbotsford Convent
A youthful cast of 11 grapple with meaning and the power and absence of words.
Theatre review: Ulster American, Ensemble Theatre
Feminism, #MeToo, toxic masculinity, the Northern Irish ‘Troubles’ and the theatre itself are dissected in this provocative work.