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Review: Sweeney Todd, Darling Harbour Theatre, ICC Sydney (NSW)

Strong performances can't quite conceal the fact that this production isn't entirely gripping.

News

$628,000 for 50 projects funded by Regional Arts Fund Community Grants

50 projects across five states have received support through the Regional Arts Fund, including 10 First Nations projects.

Features

How to strengthen a fragile arts ecology

In smaller cities, the departure of key individuals can send shock waves through the local sector, while the loss of…

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Review: Dvorak’s Symphony No 6, Sydney Opera House

An exhilarating, muscular performance.

Career Advice

So you want my arts job: General Manager

With over 25 years experience in the sector, why does Theatre Works' Dianne Toulson think the title 'General Manager' is…

News

NSW Minister delivers $871m for the State

A 22% increase in recurrent funding for arts, screen and culture has been announced today as part of the 2019-2020…

News

Applause: Latest awards and celebrations

Matt Tarrant Emerging Performers Grant recipient named, Bong Joon-ho takes out prestigious Sydney Film Prize, John Oxley Library Fellowship announced,…

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Review: Only the Penitent Shall Pass, Rosny Farm (TAS)

Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.

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Review: Almost, Maine, Meat Market Stables (VIC)

A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.

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Review: The Return of Ulysses, Pinchgut Opera (NSW)

Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.

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