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A Middle Eastern man in a green fluro top is holding a slice of watermelon.
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Comedy review: Big Nose Big Dreams, Sydney Fringe Festival

A debut solo show from an Egyptian-Australian writer and comic who avoids the usual diaspora stories.

a close up of ballerinas' feet with lit up tutus. We Call it Ballet: Sleeping Beauty
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Dance review: We Call It Ballet: Sleeping Beauty, Capitol Theatre

Fluoro-lit ballet that has little to do with the classic fairytale.

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Performance review: Pride and Prejudice – An Adaptation in Words and Music, Arts Centre Melbourne

A dramatic reading of the beloved Austen novel, with musical accompaniment.

Music

Bachelor of Creative Arts (Music)

Study Mode:

 In Class

Closing: 30 Apr 2025

Promotion, Festivals

Contemporary Music Festival Viability Fund

Artforms: 

Performing Arts, Music

A middle-aged woman in a dressing gown is standing a few metres away from a young woman dressed in shades of brown in 'The Almighty Sometimes.'
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Theatre review: The Almighty Sometimes, Adelaide Festival Centre

Mental illness in the young displayed with nuance and sensitivity.

Old fashion speakers on top of pole against clear blue sky. Arts news.
News

This week's arts news and trending topics

We report it – you read it. This week's top arts news stories.

A woman, Sahara Beck, wearing a white and black outfit is standing with a microphone. A drag queen in a black leotard, is standing beside her, back to back.
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Performance review: Bite Club: 2nd Serve, Arts Centre Melbourne

The Brief's Factory troupe returns to entertain and scandalise with their circus tricks.

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Seasons & Programs

Opera Australia

Opera Australia's 2025 Season

Discover a season of heart and humour, music and magic, raw human drama and epic legends.

A publicity image for Griffin Theatre Company's 2025 production 'Naturism'. A naked woman stands with her back to the camera, her buttocks and natural curves on show. She holds a pair of sunglasses in one hand, and is surrounded by stylised 3D plants.
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Griffin Theatre Company’s 2025 season celebrates immediacy and finds common ground

In 2025, Griffin thematically bridges social and generational divides while also celebrating theatre’s ability to predict the future.

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