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Theatre review: King Lear, Fortyfivedownstairs, Melbourne

A nuanced, many-coloured production bears contemporary resonance.

Features

How one venue’s closure can damage the arts ecology of a city

The impending closure of the Bakehouse Theatre in May 2022 is potentially devastating for Adelaide’s independent arts sector.

News

Opportunities and Awards Wrap

Call outs for Australia’s largest sci-fi writing prize, regional NSW scholarship, and young curators program. Winners announced for Melbourne Art…

a group of classical musicans on stage and an audio engineer recording their concert
Features

Digital performing arts – not just for COVID, but the future

Live arts from home seems like a sugar hit for the times, but evidence shows we’re signing up for longer…

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Theatre Review: Here, There and Everywhere, Bearfoot Theatre, Newcastle (NSW)

An innovative company continuing to break the fourth wall in theatre with their latest show.

News

Neilson Foundation’s $3M gift will support Bell Shakespeare’s flexible new studio

The donation is the largest single gift Bell Shakespeare has received in its 31 year history.

News

Australian Performing Arts Exchange moves entirely online

The annual conference and arts market will now take place entirely online.

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Theatre review: Picnic at Hanging Rock, Mandurah Performing Arts Centre, WA

An iconic gothic mystery that retains – and improves upon – the flavour of its predecessors.

Five performers on a stage
Opinions & Analysis

Unpacking ableism and challenging excellence: why disability arts needs a platform, not a box

Undercover Artist Festival's Madeleine Little explains why we need to get rid of boxes completely.

Amy Karle, Regenerative Reliquary, 2016, video. Photo courtesy of the artist.
News

ICYMI: the week's top arts news

From an Indigenous writing symposium to festival cancellations, here's the arts news you may have missed this week.

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