Diploma of Music

MONO 57: Merzbow

For almost five decades, Tokyo’s Merzbow has been the undisputed father of noise music, catapulting listeners into a compelling cosmos…

UP THERE (Boorloo) review: journey into Perth's forgotten corners

Led by Up There Collective, UP THERE (Boorloo) is an unusual performance and walking tour that invites participants to see…

Much Ado About Nothing review: belly laughs and barbs from the Bard

Shakespeare’s mid-career comedy is given a gleeful airing in the MTC’s first new staging of the work in 30 years.

Amyl and The Sniffers and Ninajirachi top the 2025 ARIA Awards 

Amyl and The Sniffers won four awards from the band's six nominations at last night's ARIA Awards in Sydney.

Titus Andronicus review: a deep cut of the Bard's bloodiest revenge play

Taking on the Titus Andronicus is no easy feat, though this impressively scaled Theatre Works production takes a good stab…

Cocteau’s Circle review: champagne sparkles with the ACO

Led by the inimitable Le Gateau Chocolat, the Australian Chamber Orchestra’s Cocteau’s Circle is sublime.

EUSEXUA Afterglow review: FKA twigs returns at her rawest

Afterglow is confident in itself – a messy and oftentimes chaotic release of sensuality and liberty from FKA twigs.

WOLF review: Circa's howlingly good contemporary circus show

WOLF offers a fearless exploration of the animal within us all.