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Performing Arts

Mama Does Derby. Photo: Claudio Raschella.
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Mama Does Derby review: wheeling onto stage with brutal tenderness

Despite the roller derby chaos, the real heart of Mama Does Derby is in how it portrays a complex mother-daughter…

Performing Arts Guide

Zilla & Brook

Mature Skin by Gabrielle Fallen

Breakout trans playwright Gabrielle Fallen and acclaimed queer indie theatre director Justin Nott have teamed up for the premiere production…

Last Minute Tickets

Yirra Yaakin Theatre Company

Yirra Yaakin Theatre Company 2026 Season Is Here

BOLD STORIES. BIG HEART. UNFORGETTABLE THEATRE.

Performances & Gigs

Apeiron Baroque Incorporated

2026 Early Music Chamber Season

Our 4th season of concerts featuring leading Early Music guests from around Australia!

Tomáš Kantor, a curly-haired 20-something person dressed in non-traditionally gendered clothing, in the 2026 Midsumma production Sugar at Arts Centre Melbourne.
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Sugar review: a frothy, fun and fearless Midsumma treat

This whirlwind production works Chappell Roan into Pretty Woman by way of Tomáš Kantor’s commanding queerness.

Midsumma Festival 2026 highlights.
Features

Midsumma Festival 2026: queer culture highlights to pop on your calendar

Melbourne's leading LGBTQIA+ pride festival puts queer art in the spotlight  – here are our top picks

Funding

Department of Creative Industries, Tourism and Sport, Government of Western Australia

Contemporary Music Fund Development Program

The Contemporary Music Fund (CMF) assists homegrown contemporary music artists with projects that enable them to produce and promote their…

L-R: Leticia Cáceres (photo: Sebastian Bourges), Elizabeth Coleman (photo: Rodney Stewart), Priscilla Jackman and Jean Tong (supplied). Four female and non-binary directors who have moved from stage to screen.
Features

From stage to screen: four Australian creatives discuss sideways career shifts

Leticia Cáceres, Elizabeth Coleman, Priscilla Jackman and Jean Tong describe how they adapted skills honed in the theatre into film…

A scene from Hamlet Camp, now playing at Carriageworks. Three fair-skinned, middle aged men dressed in white, are photographed in the midst of an intense performance.
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Hamlet Camp review: 'To be, or not to be' as an occupational hazard

Quick, funny, and uncomfortably human, Hamlet Camp drags you into a world where art won’t let go, and neither will…

A dance sequence from Post-Orientalist Express, 2026. A shirtless male dancer poised on one foot with his arms extended; he wears a colourful headdress and costume.
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Post-Orientalist Express review: spectacle, parody, and the limits of post-orientalist dance in a festival economy

A fascinating but unresolved Sydney Festival production by avant-garde Korean choreographer Eun-Me Ahn.

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