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Two men, look across at each other on the set of 'Werewolf'. One in a suit, one in casual street gear. The steps the are standing are full of graffiti and rubbish.
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Theatre review: Werewolf, Arts Centre Melbourne

A clash of ideologies brings forth monstrous results.

Ollie Olsen, seen here in a 1991 publicity image for his electronic music project Third Eye.
Features

Vale Ollie Olsen, an innovative electronic artist who painted with sound

The endlessly curious musical pioneer Ollie Olsen died this week aged 66.

Performances & Gigs

Seymour Centre

The Inheritance: Part One and Part Two

Tony and Olivier Award Winning The Inheritance makes its Epic Seven-Hour Sydney Premiere at the Seymour Centre

Performances & Gigs

UMAC & Lucy Guerin Inc

PIECES 2024

In a strictly limited season, leading choreographers Joel Bray, Tra Mi Dinh, and Alisdair Macindoe unveil three world premiere works.

image of a women with face reflected in pool of water as a horizon line. Arts news.
News

This week's arts news and trending topics

We report it – you read it. This week's top arts news stories.

A black and white photo of magician, Lachlan Wilde. There is smoke covering his face.
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Magic review: Mysterons, The MC Showroom

A blend of storytelling and magic.

A dark-haired woman is holding up a book with a black cover. Behind her are black and white images of crime scenes and information.
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Theatre review: He Had It Coming, The Provincial Hotel

Infamous murderesses and attackers tell their stories, leaving the audience to judge whether they were justified.

Black woman with curly blonde hair, green jacket and gloves. Senhit, Eurovision
News

The first ever Eurovision Tour arrives in Australia in November

18 Eurovision stars head to Australia in a first ever world tour.

In a production of 'Years Years Bears', two women in colourful headscarves and sunglasses. One is standing behind the other and placing her hand over the other woman's mouth.
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Theatre review: Years Years Bears, Trades Hall

A promising mystery story still finding its feet.

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Theatre review: Why Not Believe in Everything?, Club Voltaire

Laura Fisher’s first play is poetic, vibrant and very funny. 

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