DIY magic and fan funding: The Witchy Girls conjures a new model for making Aussie TV

After funding rejections, RuPaul's Drag Race champ Lazy Susan and her sister Zelda Moon are turning to live audiences to…

West Gate review: a flawed but powerful play about the loss of 35 lives

The collapse of Melbourne's West Gate Bridge is dramatised in this new MTC production by playwright Dennis McIntosh and director…

Timothée Chalamet’s words on Gen Z audiences say far more than his views on opera and ballet

Social media turned on the actor after his remarks that ‘no one cares’ about opera and ballet, but the debate…

Gatz review: it’s The Great Gatsby (Jim) but not as we know it

Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.

Theatre of Dreams review: dance that channels such stuff as dreams are made on

Theatre of Dreams explored what happens when we close our eyes and drift away.

The Sea Wolves Howl

Finding your mojo and your people in VERY cold water!

Bachelor of Music

Adult Jazz Dance - Foundation/Beginner

Classes are back in Alice Springs / Mparntwe! **Adult Beginner — Foundation Jazz Dance** 🗓 Saturdays | 11:00 AM Build…

The CAN Principle review: Jonny Pasvolsky’s hilarious take on hope and can-do hucksters

In his one-man comedy act The CAN Principle, Jonny Pasvolsky shares a quick guide to 'can-lightenment'.

The Elocution of Benjamin Franklin review: landmark 1970s play revived for a new audience

Some 50 years on, The Elocution of Benjamin Franklin remains just as urgent as ever.