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Theatre review: Teeth and Tonic, Melbourne Fringe

Friends unite in smashing the patriarchy.

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Theatre review: Never Closer

Set against the backdrop of The Troubles, a compelling drama about wanting to move forward, while being stuck in the…

William Barton smiles at the camera. He has shoulder length dark hair and brown eyes. His right hand rests on an ochre-painted didgeridoo and he wears a brown leather jacket over a black t-shirt.
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Barton meets Beethoven in classical music’s greatest get-together

Didgeridoo virtuoso William Barton speaks about the importance of story and place when playing with Queensland Symphony Orchestra.

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Theatre review: SIRENS, Melbourne

A queer odyssey of the heart.

Features

How the arts can move forward with ‘care’

At a recent interdisciplinary forum, speakers explore the notion of care and how it is vital in moving towards the…

Features

Creating an exciting new vision for contemporary arts and culture

Brisbane Powerhouse unveils a revitalised program for contemporary arts in the RiverCity following Covid and floods.

News

Meet our new Managing Editor

Writer, editor and actor Madeleine Swain joins the ArtsHub team.

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Performance review: PENDULUM, Melbourne Fringe

The mesmerising choreography of dancers in concert with swinging bells.

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Theatre review: I is Maggie

A clear-eyed insight into the conditions of migrant labour in an industrial laundry.

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Theatre review: The Briefing, Melissa McGlensey

A political satire at Melbourne Fringe that takes a swipe at many targets.

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