Performing Arts
Don Dunstan’s legacy lives on for Adelaide Festival Centre’s 50th anniversary
Public conversations exploring the influence of the arts and the legacy of Don Dunstan will be held as part of…
Theatre review: Ink, Little Theatre University of Adelaide
The Australian premiere of James Graham's play is an entertaining, witty and immersive three-hour performance.
Performance reviews: Only Bones – Daniel Nodder, So..., Melbourne Fringe Festival
Two shows that explore some comedic freestyling using the body as a prop and a darkly absurd premise.
Theatre review: Every Brilliant Thing, New Benner Theatre
If you were to compile a list of everything that makes life worth living and truly brilliant, what would it…
Circus review: Mr.  III三III (Mr Three), NICA, Melbourne Fringe Festival
Office workers trying to break away from corporate, capitalist routines.
Performance review: I Am (Not) This Body, Arts House, Melbourne Fringe Festival
A a cross-disciplinary exploration of the performer's relationship with her body in the world.
Theatre review: The Appleton Ladies' Potato Race, Bille Brown Theatre
Mashing through the glass ceiling, one potato race at a time.Â
Performance reviews: How to Shave and It’s Like a Circle, Melbourne Fringe Festival
Comedy that unpacks the highs and lows of transmasculine identity and theatre exploring the realms of queer love.
So you want my arts job: Drama Therapist
Drama therapist Anne Gollan creates safe environments for play and storytelling with both children and adults.
Performance review: The Blood Vote, Gasworks Arts Park
Fusing opera and circus, The Blood Vote by composer Jenny Game and librettist Caitlin Vincent sees Australian suffragist Vida Goldstein…