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Everything but the kitchen sink. Image is a woman in drag as an Aussie tradie, in high vis shirt, baseball cap, with a fake moustache and can of VB beer.
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Theatre review: Everything but the Kitchen Sink Fest, The Flight Path Theatre

Four producers, four shows and the questionable relevance of the fourth wall in this inner west theatre festival. 

Chewing Gum Dreams. Image is of a black teenage girl sitting on a block, wearing school uniform and looking shocked.
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Theatre review: Chewing Gum Dreams, Clubhouse Theatre, Townsville

A solo show that traverses the life of a black teenager teetering on the edge of adulthood.

ecstasy. Image is a widely smiling man in a black shirt playing the violin.
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Music Review: Ecstasy, Adelaide Symphony Orchestra, Symphony Series 8, Adelaide Town Hall

The ASO's final Symphony Series for 2023 featured outstanding contributions from violinist Anthony Marwood and conductor Chloé van Soeterstède.

Phil Wang. A young man in a green and blue top is waving.
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Comedy review: Wang In There, Baby! – Phil Wang, Astor Theatre, Perth

Phil Wang's comedy explores cultural differences between East and West.

CALD. Image is of a large group of people some standing, some sitting on the ground, from Sweatshop, a Western Sydney-based literary movement.
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CALD, CARM and collected: fostering the future artists of Australia

Leaders of Australia’s foremost arts companies run by and with culturally and linguistically diverse young people, speak about their role…

opportunities. Image is two people, one in red pants and white t shirt, and one in black, on the left of two paintings on the wall, and a man in a black suit on the right.
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Opportunities and awards

Calibre Essay Prize open for entries, development opportunity for regional youths, plus winner of Portia Geach Memorial Award and finalists…

Fremantle Biennale. image is a stripey spotlight backdrop with the silhouette of a single figure standing in front of it.
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Immersive artworks define 2023 Fremantle Biennale

The fourth iteration of this WA festival shows it is going from strength to strength.

What art ought to be. Image is of four people sitting on a stage in front of an audience, in conversation. On the left a woman of Asian appearance, with long dark hair, on her right a woman of Aboriginal appearance in grey and on her right a Caucasian man in black with long grey hair - and they are all looking at a woman on the far right in colourful crocheted attire.
Features

What art ought to be through practice and engagement

Key topics raised at the recent Sydney Ideas talk on the importance of art in uncovering stories, connecting cultures, and…

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Dance review: Somos, Neilson Studio, Sydney

A world dance premiere with a distinctly Spanish flavour.

The Bridal Lament. Image is a close-up of an Asian woman's face with a complex headdress, heavy makeup and facial adornments in the form of eight white pearl tears. She looks sad.
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Theatre review: The Bridal Lament, Space Theatre

Rainbow Chan's OzAsia contribution was 'an ambitious work infused with vulnerability, grief, and empowerment'.

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