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man walking in gallery with abstract paintings by artist Elisabeth Cummings
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Exhibition review: Radiance: the art of Elisabeth Cummings, NAS Gallery

At 89, Elisabeth Cummings' paintings are brave and bold – this survey exhibition mapping a journey of mark making for…

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Exhibition review: Brent Harris: The Other Side, Auckland Art Gallery

Brent Harris' survey exhibition takes viewers on an emotional journey and search for meaning.

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‘Mum has been my rock’ says Rubaba Haider, winner of the $10,000 Australian Muslim Artists prize

The prize hosted by the Islamic Museum of Australia spotlights the diversity and significance of contemporary Muslim artists.

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Exhibition review: Thin Skin, Monash University Museum of Art

Over 30 artists explore various liminal states of being.

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So what’s in the Kandinsky blockbuster?

Following the hype surrounding the announcement of a Kandinsky blockbuster for Sydney, ArtsHub takes a look at what will be…

Exhibition review: Botanica de Materia Medica, Royal Botanic Garden

Australia’s leading contemporary botanic art exhibition presents a diverse and interesting exploration of plants that heal.

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Review delivered on interference in Aboriginal paintings

The National Gallery of Australia has tabled its independent Review into Art Centre interference in the painting of Indigenous artworks.

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Exhibition review: I am the People, White Rabbit Gallery

An edgy and creative exhibition hang leads viewers on a journey of considering contemporary Chinese identity.

New Mineral Collective - Pleasure Prospects. Photo courtesy of the artists
Features

Highlighting the crucial role the oceans play in our belonging

How the UQ Arts Museum is helping us to appreciate the issues surrounding the health and sustainability of our oceans.

Teal coloured promotional sign with word MÌNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

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