Opera
Opera review: Innocence, Festival Theatre, Adelaide Festival
A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.
Performance review: Opera for the Dead (ç¥æŒ), Asia TOPA 2025
A cyber-opera that deserves the world stage.
Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House
Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.
Opera review: Die Meistersinger von Nürnberg, Royal Exhibition Building
Melbourne Opera stays well within its comfort zone for Wagner’s epic comedy. Â
QTouring
QShowcase: Arts Market + Conference
Join presenters, producers and artists from across Queensland at the QShowcase: Arts Market + Conference.
So you want my arts job: Librettist
If you possess humility, audacity, originality and passion, becoming a librettist may suit you, says playwright, director, dramaturg and librettist…
Providing a pathway to the ultimate art form – Opera for All
The Opera for All concerts are being seen all over the globe. This week it was Melbourne's turn.
Opera review: La Traviata, Opera Australia, Joan Sutherland Theatre
Soprano Samantha Clarke ignites this current production of Verdi's masterpiece.
Opera review: The Barber of Seville, Joan Sutherland Theatre, Sydney Opera House
Fast-paced and hilarious, Opera Australia’s 'The Barber of Seville' will please opera buffs and newcomers alike.Â
Opera review: Siegfried & Roy: The Unauthorised Opera, Sydney Festival
Definitely camp. Definitely a folly. This new work delivers all of opera’s hallmarks with casual appeal.