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White chalk on a black board. The top line is the letter A connected in squiggly line to the letter B, the bottom line is the letter A with a straight line to letter B.
Features

Accessible writing is for everyone

Accessible writing can be divided into two categories: plain language and Easy Read.

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Book review: The Empty Honour Board, Martin Flanagan

A memoir about boarding school days and the abuse that occurred there, forever shadowing Flanagan's life.

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Book review: Storytellers, Leigh Sales

Over 30 Australian journalists offer a behind-the-scenes look at how the news is made.

Book review: Broke, Sam Drummond

A memoir about the intersection between disability and financial precarity advocates for compassion.

Cover image of Love, Dad: Confessions of an anxious father (left), Image of white male (author Laurie Steed) in business casual leaning on his hand
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Book review: Love, Dad, Laurie Steed

Parenting and a career in the arts push on writer Laurie Steed in this punchy memoir.

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Book review: Big Meg, Tim Flannery and Emma Flannery

A fascinating insight into the detective work of shark fossils.

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Book review: Prudish Nation, Paul Dalgarno

Over 30 authors offer their perspectives on "unconventional" relationships.

Features

CoUNTess – spoiling illusions about the arts since 2008

Revealing the sad truth about gender equity in the Australian art world.

Features

Iconoclastic and empowered: the new wave of Middle Eastern Australian women writers

MENA women writers are gaining momentum in major literary prizes and across the nation’s bookstores, but is this movement iconoclastic?

Sally Beamish's Carnival Samba: Floreant. Opening Applause, AFCM Photo: Andrew Rankin
Features

What composers contribute to a music festival

Sally Beamish and Stephen Johnson were invited to the Australian Festival of Chamber Music as much for their musical insights…

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