Music
Festival review: Mona Foma, Hobart
Mona Foma’s parade of paradoxical marvels and altered realities.
$1.5M in performance royalties offers musical lifeline
$1.5M is available to APRA AMCOS members with cancelled performances nation-wide.
Theatre review: The Wedding Singer, Arts Centre Melbourne
A fizzy delight of a show: sweet and effervescent.
Vale Glenn Wheatley
The musician turned manager was one of the most significant figures in the Australian music industry in the last 50…
Performance review: The Acoustic Life of Boatsheds, Big hART
Ferry-boarded to encounter original performances inspired by the boatsheds, workshops and waterways of Sydney.
Playing a part beyond allyship with Black Brass
By recentring the African experience in an Australian context, this production suggests new models of participation and reciprocity.
Flexible thinking replaces old subscription models
The pandemic has forced new ways of thinking, including new approaches to subscriptions and seasons.
Safety first at festival time like no other
Insights from producers at Sydney Festival and Mona Foma reflect the fortitude required to stage works during Omicron.
Insurance plea from music sector during Omicron
Live music events are again being plunged into a series of cancellations, leaving many asking: where is the bottom line?
Dance review: Mirage, Campbelltown Arts Centre
Dance and music collude to conjure forth refractions of memories.