Museums
If you don’t fight … you lose
The latest exhibition at FUMA spotlights the overlooked contributions of Adelaide’s Progressive Art Movement and the history of student protests.
Placemaking gets a boost in South Australia
A new fund aims to support arts organisations to build a better culture of placemaking in Port Adelaide Enfield.
AGNSW's buildings finally renamed
The Art Gallery of NSW has formally adopted Aboriginal names for its two buildings.
MCA welcomes 20 millionth visitor
A teacher is the 20 millionth visitor to MCA Australia, reaffirming the Museum's value as a resource for future generations.
6 Easter eggs to find at The Johnston Collection
ArtsHub reveals some hidden gems with quirky stories that can be found in 'Fit for a King: Vincent Jenden Reimagines…
Museum takes a stand on displaying body parts
The University of Sydney’s Chau Chak Wing Museum has chosen to remove mummified body parts from display.
Emerging Indigenous cultural workers head abroad
Six Indigenous cultural workers are embarking on a once-in-a-lifetime Fellowship abroad. Who are they?
Culture crisis – can NZ’s museums be saved?
Surfacing reports on the dire future for Aotearoa's cultural institutions only scratch the surface – Andrew Wood digs deeper to…
Landscape work that encourages ‘concentrated looking’ wins 2024 National Photography Prize
Ellen Dahl takes home the $30,000 National Photography Prize with lens-based works that centres the Norwegian archipelago, Svalbard.
![Jumaadi, ‘Malaikat [Angel I]’, 2019-. Acrylic on buffalo hide. Collection of the artist. Image: Supplied. A detailed work depicting two figures flying with white wings and meeting each other in the centre. They both have two eyes on the side of their heads. In the background is an irregular oval with a circle of trees inside and a white bird on the bottom right corner.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/03/Malaikat-I-Angel-I-2019-sm-e1710377627604.jpg?w=310)
Forming amicable relations between adversarial nations through art
Australian and Indonesian artists traverse a political divide to find common ground and bring distinct ways of addressing shared concerns.