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Exterior of old building with contemporary mirror entry. The Potter.
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The Potter announces reopening exhibition for 2025

The Potter Museum of Art will reopen in 2025 with an epic rewriting of art history.

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Exhibition focuses on a next generation of Torres Strait Island artists

Curatorial collaboration celebrates diversity of new making and greater exposure at NorthSite Contemporary Arts.

Painting of man with long hair and t-shirt in big brushstrokes by Laura Jones.
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Who are the 2024 Archibald, Wynne and Sulman winners?

Another female artist wins this year’s Archibald Prize, with a great portrait by Laura Jones of author Tim Winton.

Rhodes. Image is a surreal piece of art in a golden frame, a picture of a young woman in a black cloak holding a closed fan in a red gloved hand. Her face is painted blue, yellow and white and there is a perspex or glass box around her head. She is standing in front of a block of flats.
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Exhibition review: Katrina Rhodes and Stefano Ives, Fortyfivedownstairs

Two virtuosos of Australian surrealist art share a gallery in Melbourne’s CBD with captivating results.

Ukraine Guernica. Image is a painting of a wartorn destruction with a large teddy bear sitting in the middle and a skull floating in the right hand top corner.
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Exhibition review: George Gittoes: Ukraine Guernica, Hazelhurst Arts Centre

The desolation and insanity of war is on stark display in this powerful exhibition.

Cressida Campbell. Image is a still life painting of vases on a table with spindly flowers in them, a bowl and an apple. On the wall behind are parts of three Japanese prints.
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Exhibition review: Cutting Through Time – Cressida Campbell, Margaret Preston, and the Japanese Print, Geelong Gallery

An examination of the influence of Japanese woodblock prints on two prominent Australian artists.

Canberra Museum and Gallery. A group of metal cylinders in shades of bronze and blue patina are grouped against a white brick wall. The one on the far left is bubbly at the top as if it has been underwater or in an acid bath.
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The slippery nexus between sculpture and design and the agency of materials

Canberra Museum and Gallery has a new exhibition: Materiality… but not as we know it.

'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
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Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

Image is a dark gallery with a shiny wooden floor and a white box seat. On the walls are two 3D pieces, one a cupboard like work and the other comprising abstract faces.
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Exhibition review: Odalala, nireekshane and Uyirvu, Arts House

Australian and international artists examine histories of caste, migration, gender and sexuality.

Image is an abstract half circle above another with a piece removed, painted thickly in images that resemble Earth and sea from above.
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Exhibition review: Opening Exhibition, Artemisia Gallery Space

New independent art gallery in Windsor, Melbourne, opens with an eclectic collection of visual art.

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