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Exhibition review: Newell Harry: Esperanto, Murray Art Museum Albury

Newell Harry draws on archival material to invite visitors on a self-guided journey across history and language.

contemporary artwork in venue carriageworks
Opinions & Analysis

Is the myth of 'sameness' unwarranted across the emerging artist landscape?

When it comes to the emerging artist landscape in Australia, how accurate is a perception of "sameness" or are we…

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Festival review: Illuminate Adelaide, from Unsound to Oneohtrix Point Never

Adelaide’s winter festival offers a rich array of experiences, from the sensory overload of Unsound Adelaide to a night-time ramble…

Performance video projected onto a red brick wall at the side of the street with shops. A performer in an otherworldly silver and fluid costume moving and interacting around a highly and vividly decorated rotating clothes line, filled with vibrant fabrics in a suburban Australian home, with a green garden and wooden fence at the dusk of sunset.
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Event review: Gertrude Street Projection Festival, Melbourne

Bringing contemporary projection works to fresh eyes.

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Exhibition review: I am the People, White Rabbit Gallery

An edgy and creative exhibition hang leads viewers on a journey of considering contemporary Chinese identity.

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Exhibition review: KANANGOOR/Shimmer, Lawrence Wilson Art Gallery

Journey with the wardong/crow through an exhibition of mourning, orientation and healing.

New Mineral Collective - Pleasure Prospects. Photo courtesy of the artists
Features

Highlighting the crucial role the oceans play in our belonging

How the UQ Arts Museum is helping us to appreciate the issues surrounding the health and sustainability of our oceans.

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How touring exhibitions benefit artists

With the exhibition 'WILAM BIIK' making its fourth stop at Dandenong’s Walker Street Gallery and Arts Centre, artist Paola Balla…

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Exhibition review: Tom Moore, Abundant Wonder, Glenelg

With whimsical storytelling and tech wizardry, Tom Moore reinstates the sense of wonder in exhibition making.

Teal coloured promotional sign with word MÌNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

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