Galleries
Introducing Brett Adlington, Museums & Galleries NSW CEO
In a first, Adlington as CEO of a peak arts organisation will split his role between a regional home office…
Exhibition Review: Mervyn Bishop, National Film and Sound Archive
Australia's first Indigenous photojournalist Mervyn Bishop helped shaped Australian narratives. This exhibition looks at 60-years of his iconic images, as…
$3M Indigenous art collection gifted to Shepparton Art Museum
As SAM prepares for its next chapter in a new space, a significant gift of Aboriginal artworks will cement the…
Urgency and care: the flag markers of contemporary exhibition making
From a longing for home to a national snapshot of the new, two exhibitions explore care and belonging from a…
Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Art world to farewell MCA director Elizabeth Ann Macgregor
After 22 years at the helm, taking the Museum of Contemporary Art Australia from near insolvency to international acclaim, Elizabeth…
Why you need a Consignment Agreement for your work
Don't put yourself at risk by sending an emailed inventory of your for sale artworks or designs. Rather, use a…
Lighting the FUSE on an explosion of community creativity
Growth, change and adaptability are key elements of any creative practice, whether of individual artists or local councils, especially in…
The rise in First Nations arts jobs
ArtsHub jobs data shows that there has been a strong increase in the number of positions for First Nations professionals…
TMAG’s Apology to Tasmanian Aboriginal People
In a landmark move, Tasmania Museum and Art Gallery, and Royal Society of Tasmania, jointly apologises to the Aboriginal people…