Galleries
Why you need a Consignment Agreement for your work
Don't put yourself at risk by sending an emailed inventory of your for sale artworks or designs. Rather, use a…
Lighting the FUSE on an explosion of community creativity
Growth, change and adaptability are key elements of any creative practice, whether of individual artists or local councils, especially in…
The rise in First Nations arts jobs
ArtsHub jobs data shows that there has been a strong increase in the number of positions for First Nations professionals…
TMAG’s Apology to Tasmanian Aboriginal People
In a landmark move, Tasmania Museum and Art Gallery, and Royal Society of Tasmania, jointly apologises to the Aboriginal people…
Lisa Havilah on programming for the future
Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…
Soft politics or celebration? How the arts promote diversity at Lunar New Year
Is it just a calendar date, or is it opportunity to promote acceptance and diversity via the arts? We speak…
50th anniversary of dot painting finds fresh connections at Parrtjima
With a 300-million-year-old tradition of storytelling turning to the latest light projection technology and youth vernacular, Australians can find renewed…
Stats out on Biennale of Sydney; we take a look at COVID’s impact
Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…
GLAM Peak’s call to get digitisation project back on track
Recent survey results identify top needs for museums, galleries and historical societies working through COVID-19, and it all rests on…
Exhibition Review: Djillong Dumularra, Artspace (Sydney Festival)
Solid conceptual framing, but does it get lost in festival fever? Artspace focuses on First Nations conversations for Sydney Festival…