Galleries
Exhibition Review: OCCURRENT AFFAIR: proppaNOW, UQ Art Museum (QLD)
The QLD artist collective proppaNOW shaped the landscape for contemporary Aboriginal art. A new survey exhibition asks audiences to bare…
Australia must invest in First Nations curators and artists
Dark Mofo doesn't deserve our blood, says Wemba-Wemba & Gunditjmara woman Paola Balla, a visual artist, curator, writer and lecturer.…
Powerhouse Parramatta declares new site safe despite weekend flooding
Flooding that caused the Parramatta River to burst its banks over the weekend would not have come within four meters…
Introducing Brett Adlington, Museums & Galleries NSW CEO
In a first, Adlington as CEO of a peak arts organisation will split his role between a regional home office…
Exhibition Review: Mervyn Bishop, National Film and Sound Archive
Australia's first Indigenous photojournalist Mervyn Bishop helped shaped Australian narratives. This exhibition looks at 60-years of his iconic images, as…
$3M Indigenous art collection gifted to Shepparton Art Museum
As SAM prepares for its next chapter in a new space, a significant gift of Aboriginal artworks will cement the…
Urgency and care: the flag markers of contemporary exhibition making
From a longing for home to a national snapshot of the new, two exhibitions explore care and belonging from a…
Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Art world to farewell MCA director Elizabeth Ann Macgregor
After 22 years at the helm, taking the Museum of Contemporary Art Australia from near insolvency to international acclaim, Elizabeth…
Why you need a Consignment Agreement for your work
Don't put yourself at risk by sending an emailed inventory of your for sale artworks or designs. Rather, use a…