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ADELAIDE FRINGE FESTIVAL REVIEW: After the End
But for the tiered seating that retreats from the underdressed stage, when entering the theatre, one might make the mistake…
ADELAIDE FRINGE FESTIVAL REVIEW: Taxing Lyrical - Lehmo
The Rhino Room in Adelaide’s East End is the perfect venue for any one man comedy show and Lehmo’s Taxing…
ADELAIDE FRINGE FESTIVAL REVIEW: I Have a Dream
Opening night for Movin’ Melvin Browns I Have Dream (Soul to Soul) show was at the Norwood Live venue, a…
ADELAIDE FRINGE FESTIVAL REVIEW: A Company of Strangers
'A Company of Strangers' is a cabaret that is showing in The Spiegeltent, which is a beautiful venue$$s$$ intimate, but…
ADELAIDE FRINGE FESTIVAL REVIEW: Sherlock Holmes & the Saline Solution
The lads from Sound & Fury would like to have us believe that they’re idiots with nothing to say.
ADELAIDE FRINGE FESTIVAL REVIEW: Scarborough
Scarborough performed at the Adelaide Fringe Festival is directed by Martha Lott, written by Fiona Evens and performed by Emily…
Soldier calls the tune
THERE will be no cannons fired during performances of the Queensland Orchestra, at least not literally, even though it is…
FILM REVIEW: Chandni Chowk To China
Chandni Chowk To China is the first ever Bollywood Kung-Fu comedy produced by Warner Bros, who clearly must have had…
THEATRE REVIEW: This Is Our Youth
This Is Our Youth is playing in Melbourne at Fortyfivedownstairs. The plot is simple. Set in New York during the…
THEATRE REVIEW: The Mikado
It has been more than a decade since Simon Gallagher’s production of The Mikado has played Adelaide.