Dance
Circus review: Duck Pond, Sydney Coliseum Theatre
Circa presented a modern take on Tchaikovsky’s ‘Swan Lake’ and Hans Christian Andersen’s ‘The Ugly Duckling’ in a collision of…
Dance review: Wet Hard Long, Dancehouse
Contemporary dance performed in eight-inch heels is spellbinding.
Musical review: Beauty and the Beast the Musical, Her Majesty's Theatre
A fun night out for the whole family thanks to theatrical magic and big budget spectacle.Â
Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel
A cabaret tribute to the scandalous 19th century dancer and performer.
Deaf in dance: feeling the beat
‘Deaf in dance’, a free showcase featuring photos, artworks and stories from the Deaf Indigenous Dance Group (DIDG) is on…
Culture keeps the fire burning at Desert Mob
Desert Mob ignites Mparntwe/Alice Springs with First Nations pride and supports ethical purchasing of artworks alongside diverse programming.
Dance review: Horizon, Drama Theatre, Sydney Opera House
Bangarra Dance Theatre’s darkly beautiful new production draws upon the ancient roots of both Australian and New Zealand First Nations…
Driving cultural ambition with touring performances and global partnerships
Hong Kong is driving its arts and cultural strategy with touring performances to Australia and a global partnership with Art…
Performance review: Gurr Era Op, RISING Festival, Arts House
Torres Strait Islander women confront the devastation of climate change and battle the rising tide.
Performance review: Limbo – The Return, The Grand Electric
Strut & Fret hits the mark with this bacchanalian mix of cabaret, circus and acrobatics.Â