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A black and white image of six figures dancing in a circle. Their arms are outstretched as some of them bend backwards and others inwards. They are wearing black crop tops.
Features

Site-specific dance in the digital world

How are artists and dance companies creating a sense of place, physicality and location across a screen?

Features

Overcoming threshold anxiety

Geelong Arts Centre’s redevelopment opens the venue up to the public eye, in a way that’s deliberately designed to ensure…

Features

Creating a new Australian musical through a personal story filled with love and joy

Keir Nuttall and Kate Miller-Heidke’s 'Bananaland' promises musical fun and side-splitting hilarity with some underlying serious themes.

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Dance review: AGE, Theatre Royal Studio, Hobart

A youth dance troupe in Tasmania offered a tender and energetic performance.

Education & Student News

Two artists awarded Co3+STRUT dance fellowships

Laura Boynes and Georgia Van Gils share fellowships totalling $90,000 in a new initiative to enrich WA's independent dance ecology.

Two male dancers, wearing orange prison overalls rolled down to the waist. Their chests and arms and the floor are streaked with white ochre. Chandler Connell is to the left, in the background, kneeling, arms outstretched to his side. Alexander Abbot is to the right in the foreground. He is standing, legs wide, and leaning back. The background is black.
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Dance review: The Other Side of Me, Darwin Festival

The NT Dance Company's world premiere is truth-telling powerfully expressed by two dancers representing one First Nations man.

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Dance review: 4/4, Merlyn Theatre

Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.

Four performers dance between mirror plinths in a gloomy space
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Dance review: Shifting Perspectives, Queen’s Theatre

Shifting Perspectives was a beautiful mind-bending experience that expanded and stretched our reality. 

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Empowering mid-career artists to create bold new work 

The journey of an artist often requires a "day job" to maintain the freedom to pursue their creative practice. By…

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Ballet review: Giselle, Arts Centre Melbourne

The Tokyo Ballet production of this beloved classic is enough to prove the existence of magic.

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