Cabaret
Comedy review: Reuben Kaye, Apocalipstik, The Malthouse, MICF 2024
A force of deliciously bent nature, Kaye delivers again.
Comedy review: Mel & Sam: The Platonic Human Centipede, The Toff in Town, MICF 2024
Queer besties' new musical comedy is smart and ridiculous.
Community, celebration and stars: Adelaide Cabaret Festival 2024
Artistic Director Virgina Gay describes the tone of her inaugural Adelaide Cabaret Festival and enthuses about some of the program…
Melbourne International Comedy Festival and ArtsHub join forces
The MICF kicks off and this year ArtsHub is up for a laugh too...
Opera review: The Threepenny Opera, Her Majesty's Theatre, Adelaide Festival
Searing satire and a rage against capitalism wrapped up in a love story.
Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival
A smorgasbord of cabaret, theatre and live music at the Sydney Festival.
Performance review: Dangerous Goods, QPAC
A high-octane cabaret that includes circus, aerials, drag and burlesque.
Conversion practice survivor spins story to comedic gold
Ace R L's 'sacrilegious musical comedy' brings their experience of church-led conversion practices out of the dark with humour, authenticity…
Cabaret review: A Very Naughty Christmas, Alex Theatre
A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.
Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House
Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar. Â