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A chalk drawing of a figure on the ground. There is someone dressed as a king and a detective overlooking it.
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Performance review: Dropped in It: Crime Scene Improvisation, Adelaide Fringe

An improvised crime scene comedy where one-liners and terrible puns could prove deadlier than any weapon.

A group of people lying on top of each other covered in mud.
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Theatre review: Henry 5, The Playhouse, Sydney Opera House

Bell Shakespeare kicks off its 2025 season with this modern and accessible adaptation performed by a fresh-faced cast. 

News

AI is changing the game for voice actors – and not in a good way

Video game voice actors are feeling weighed down by the ever growing presence of AI.

A man wearing sparkly top and pants is mid pose. His face is hidden by his hand touching his hat.
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Musical review: MJ The Musical, Sydney Lyric Theatre

‘MJ the Musical’ is a dazzling production. But be warned: you may come away from it feeling uncomfortable, sad and…

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Yarra Ranges Council

Artemis: Utter Mess

A show about labels and the difference between the words that confine us and the words that set us free.

Sim Chi Yin, a woman crouching over large pieces of paper with photo on them.
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Performance review: Sim Chi Yin, One Day We’ll Understand, Footscray Community Arts, Asia TOPA 

A multimedia performance exploring memory and inheritance.

A woman in a blue jumpsuit and yellow beanie facing a video camera. The background is of snowy mountains.
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Performance review: Night Night, State Theatre Centre WA, Perth Festival

A magical-realist show about the origins of life on earth.

A young man and an older man are staring at blank canvas. Shellshocked.
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Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival

The psychological ravages of war laid bare in unexpected ways. 

A brunette woman in a red singlet is staring up at a blond man in a olive top.
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Theatre review: Berlin, The Stables Meat Market, North Melbourne

Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.

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