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Installation view of ‘MEMORY/MYTH’ at new Ames Yavuz Sydney space, featuring works by Thania Petersen and Club Ate. Photo: Courtesy the artists and Ames Yavuz.
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New gallery openings a bright sign for art market

Three new gallery expansions at home and abroad.

ANZ’s Gothic Chamber transformed into a 21st Century Banking Museum, part of Open House Melbourne. Photo: Supplied. A gothic interior with people casually lounging.
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Doors open to Melbourne’s (hidden) architectural gems

From the heritage-listed to private residences, Open House Melbourne offers exclusive access to hidden stories of the built environment.

Si Yi Shen, 'Free Water'⁠ 2024, still from single-channel digital video⁠. Image: Supplied. As part of WORLDING at Platform Arts. A collaged image that resembles cutouts forming a tornado.
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Exhibition review: WORLDING, Platform Arts Geelong

If you have ever felt like an alien, then this exhibition is for you.

Side view of a microphone with colourful painting in the background.
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This week's arts news and trending topics

We break it – you read it. This week's top arts news stories.

Group of dancers on stage wearing white shirts and purple lighting. Creative Australia.
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Why being a peer can help your career

Creative Australia is seeking applications for its next pool of peers – it’s a paid role and can strengthen your…

A dynamic photo of a two-piece punk band playing live. A dark haired man in a black t-shirt plays the guitar as he sings into a microphone; behind him a woman plays drums.
Features

Australian musicians in dire straits yet Triple J won’t shift its commercial focus

Why does the taxpayer-funded Triple J consistently play commercially oriented pop at drive time instead of Australian indie?

An older woman wearing dark glasses, gold jewellery, expensive clothes and an enigmatic expression sits back in her seat in a private jet.
Features

The best TV shows of 2024 so far – as decided by our critics

Discover the best TV shows of 2024 so far, as reviewed by ScreenHub critics.

Against pink swirly drapes, a man and a woman are sitting on chairs. She on the left is dressed in an old fashioned dress and a wide brimmed hat and carrying a clipboard. He is wearing modern clothes: pants and a shirt. He has his arms wide, in the middle of talking.
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Theatre review: The Platypus, Theatre Works

An unflinching play based on real experiences that hits a little too close to home.

‘Joke Taxonomy’, installation view at 138 Gallery. Photo: Supplied. A brown wooden panelled gallery space with readymade objects including a pair of pink Dino chairs, a litter box, and a small trophy.
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Exhibition review: Joke Taxonomy, 138 Gallery

Here, humour comes easily but the provocation lingers.

Two people are sitting facing the audience with their backs to the viewer. There is a table between them. They are in mid-conversation.
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A literal smorgasbord of literary and culinary delights

This year’s Bendigo Writers Festival has a food theme that reflects its designation as a UNESECO Creative City and Region…

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