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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel
A cabaret tribute to the scandalous 19th century dancer and performer.
Singapore Symphony Orchestra set for 2025 Australian debut
Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…
A sunrise like no other – wonders of Country shared through Indigenous agency
Aṉangu artists share their deep connection to Country in a bespoke sunrise experience designed to captivate and entrance in Uluṟu.
Deaf in dance: feeling the beat
‘Deaf in dance’, a free showcase featuring photos, artworks and stories from the Deaf Indigenous Dance Group (DIDG) is on…
Can a festival provoke for all the best reasons?
At the Festival of Dangerous Ideas, nothing seems to be off the table – from a meditation on genocide to…
Talking about languages and why sovereign peoples don’t want to be called Indigenous
A recent panel discussed the importance of language and self-determination for First Nations people.
The Potter announces reopening exhibition for 2025
The Potter Museum of Art will reopen in 2025 with an epic rewriting of art history.
Performance review: When Night Comes, The Austral
A multisensory immersive experience that blends theatre and cocktails.
Culture keeps the fire burning at Desert Mob
Desert Mob ignites Mparntwe/Alice Springs with First Nations pride and supports ethical purchasing of artworks alongside diverse programming.
Theatre review: The Last Train to Madeline, Meat Market Stables
A two-hander that tracks an evolving friendship through time.